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Didier Hamey, Paul atten Ash, Lydia Harris, Claire Gibson





THE THREE NORNS WINDING THE ROPE OF FATE after Arthur Rackham (1910)

Paul atten Ash


Firelight flicker,

the acrid tang of old smoke

on the tongue. Curse-woven

song of dusk, the night steals

darkly upon Erda’s daughters

beneath Brünnhilde’s rock.


The three Norns,

ever winding, their knotted

weave tightening within us,

insidiously slick-black as oil.

In nacreous last light, the air

electric, the old earth yaws

on its keeled axis,


wyrd sisters slow-spinning in

time with life’s warp and weft.

Gilt dust settles upon our skin,

and fate’s curling fingers flense

the world back to its bones.


The last tree bleeds

out, its charred limbs biting

black into the sky. The stars

choked with ash: the spectral

grain of charcoal laid down &

smudged by ancient hands.




Lydia Harris

THE CREEPING WILLOW


sweats from bitter bark

on the old track


not soft to the touch

veins purple with sap


stems also breathe

buds oblique


and barren seeds tucked

underarm, uncombed, matted


through the tangle

catkins blink


roots nuzzle the underworld

one diverging


through the withered leaves

of last year




AS THE LILAC WANES

Claire Gibson



Summer is old.

Like a rake

We pull cold leaves

From her grey-green fingers.

It is a garland of snow,

A quizzical scent of rose

That shows Age its colour.


Rainy skies still offer blushing clouds

To her rosed wildflowers,

Red-cheeked,

As if not told that she had grown old.

And in lilac June

Time appears to have forgotten her wrinkles,

So beautiful, clawing at her existence.

ART KARNIVAL by Didier Hamey


Didier Hamey’s engravings are a small and large format bestiary representing hybrid, mysterious figures in osmosis with nature and landscapes. They symbolize exuberance and the desirable secrets of the earth and fertility, becoming the spokespersons for natural spontaneity and the joy of life. Didier is one of the top artists for engraving in France.


Paul atten Ash is the pen name of Bristol-based Paul Nash. He has been published by Bent Key Publishing, Broken Sleep Books, Butcher’s Dog, Full House Literary, Magma Poetry, Salò Press, and Sídhe Press, among others. Prize shortlistings include Alpine Fellowship (2023) and Ginkgo (2022, 2021). Searchlight Seasons, his debut pamphlet, will be published by Atomic Bohemian this year. campsite.bio/northseanavigator; Twitter/X @NorthSeaNav; Instagram @north_sea_navigator


Lydia Harris's home is Westray, one of Orkney’s north isles. She held a Scottish Book Trust New Writers’ Award for Poetry in 2017 and her first pamphlet Glad Not to be the Corpse was published by Smiths Knoll in 2012. Her pamphlet A Small Space was placed first in the Paper Swans Poetry Competition and her newest chapbook Objects of Private Devotion is published by Pindrop Press.


Claire Gibson writes about the spirit using imagery from the natural world. She has developed her writing recently to include five books available on Amazon and has included her watercolour paintings in her latest collection of poems Salt In The Wound. Instagram @everywordisamemory

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