TRAJAN’S ARCH NEAR BENEVENTO
Daniel Rabuzzi
(Inspired by Piranesi’s etching of the Arch from 1778, and his comment in Prima parte di architetture e prospective in 1743: “These speaking ruins have filled my spirit with images that accurate drawings…could never have succeeded in conveying.”)
The only caesar who passes beneath me now is the shepherd.
Jackdaws breed in my i’s and e’s.
Dog-vines gnaw and knead me.
Yet, I am the geometry of your imagination.
I am the frame of your ambition still,
A scaffold, a cantilevered hope.
Dacia remembers,
So too Araby, old Susa and Ctesiphon.
Yet, I wonder
That your ambition should be so
Small.
DECIDUAL CAST
Louise Mather
Old summer for moths that lay
under the water
mausoleum prised red lungs
or decidual cast
scratch down my leg
reminiscent of a roof
dusk in mouth
stage of wreckage
I told you about troika in retrograde
surface to darkness
premonition in
warm blood
weapons, portals, writing
in deserts
everything a fabric
your awakening
THE MARABOUT
(The story of Mauro Prosperi at the Marathon des Sables, 1994).
Alison Sesi
Resting place of a holy man, bearing the very name he was known by in life:
‘One who is garrisoned’- and forever so.
Unlike the dunes that shapeshift and morph, making all landmarks disappear from
that transient landscape...this trinity of housing remains, weathering those
sandstorms that fill its interiors, burying the buried.
For centuries visited only by Bedouins and bats, until an endurance athlete, blown off
track, and out of the world, vanished into wilderness: banished on to another course
leading to this shrine enshrined in the desert, a monument to some civilisation so far
away from ours.
The body already lying here might have been joined by another, which the search
party could easily find: death the runner embraced in order to release, with his blood,
his pension, allowing his family to live once he had been declared deceased.
His body, though, defied him: having not died in this attempt at the race he had
intended to complete, its parchedness refused, when he attempted this new intent, to
release his soul.
The Sufi, guarding this precious and eternally splendid isolation, thus sent him hence
from the sarcophagus: for once discovered, but desiring not to be disturbed by a life
drained away – the company of a fellow corpse.
Different the runner’s later discovery - that of the next run of his life - aiming for the
clouds: ‘twas of himself, housed in the remainder of his body...for sure alive, but
barely recognisable.
The Sahara’s sands delivered him to his destiny: to rejoin the nearer world whence
he had come.
ART WHEN THE DARKNESS IS COMPLETE AND ALL IS ACCOMPLISHED THE DAY IS OVER by øjeRum
øjeRum is a Copenhagen-based artist and music-maker. You can find their art on @oejerum
Daniel A. Rabuzzi (he/his) (danielarabuzzi.com) has been published in, among others, Crab Creek Review, Coffin Bell, Shimmer, Red Ogre Review, Goblin Fruit, and Lady Churchill's Rosebud Wristlet. He is a Pushcart nominee. He earned degrees in the study of folklore and mythology and European history. He lives in New York City with his artistic partner and spouse, the woodcarver Deborah A. Mills (deborahmillswoodcarving.com).
Louise Mather is a writer from Northern England and editor of Acropolis Journal. A finalist in the Streetcake Poetry Prize and Pushcart nominated, her work has been published in The North, Broken Sleep Books, Acumen, Lucy Writers Platform and Dust Poetry Magazine. Her debut pamphlet The Dredging of Rituals was published in 2021. Twitter/X @lm2020uk Instagram louise.mather.uk
Alison Sesi is a 62-year-old British woman who lives in Dresden, Germany. Although she has been writing poems on and off since her childhood, Alison only really started writing them regularly, and far more maturely, about two years ago. To date, Alison has had one poem published: Kakhovka Dam in the anthology Ourselves in Rivers and Oceans published by the Wee Sparrow Poetry Press.